![]() ![]() ![]() Here, artists, engineers and developers work together as a team and promote artistic projects or conduct contract research. The ARS ELECTRONICA FUTURELAB (since 1996) stands for inspiration and creativity. In 2019 the Ars Electronica Center recorded 192,000 visitors, a record number despite - or perhaps because of - a complete redesign of the building which saw large parts of the Museum closed and inaccessible due to reconstruction work. The ARS ELECTRONICA CENTER (since 1996) focuses on exhibitions, educational programs, and training sessions, which are guided by the question of how new technologies and sciences will change our lives and how we can play an active and self-confident role in shaping our future. First awarded in 1987, the competition documents the worldwide influence of media art, with around 4,000 submissions from more than 100 countries every year. The PRIX ARS ELECTRONICA (since 1987) is the world's most lucrative and traditional competition for artistic works at the interface of science and technology. And it was virtually sold out, the first “Kepler’s Garden” on the beautiful campus of the Johannes Kepler University Linz. In 2020 the first hybrid Ars Electronica in the era of Corona was also a huge success. Every year, more than 1,000 artists and scientists, creators and engineers, activists and entrepreneurs from all over the world take part and present their projects and visions for the future. The ARS ELECTRONICA FESTIVAL (since 1979) takes place every September in Linz. Like no other institution, Ars Electronica represents a comprehensive approach in the confrontation with techno-cultural phenomena and enjoys a worldwide reputation for excellence. Ars Electronica has developed an internationally successful platform from the innovative exchange and interplay between art, technology and society.Īrs Electronica is a cultural institution, an educational facility and an R&D lab based in Linz, Austria. The Ars Electronica Garden Barcelona will consist of five different phases: 1) open call for art, science and technology grants, 2) artists residencies in scientific and technological research centers, 3) implementation of research-production processes in visual arts and performing arts production centers, 4) public exhibition and diffusion of artistic research results, and finally 5) sharing of results, methods and processes involved in the collaboration through a series of open talks and roundtable discussions.Since 1979, Ars Electronica has been exploring the shaping of the future and the impact of new technologies on our lives, with the focus always on the role of people, the cultural and social challenges, and the resulting creative opportunities. Merging the digital and online world with the analog and presential world needs also to relate and connect with the multiple layers of reality involved, from technopolitical infrastructures to ecosocial impact. These Hybrid Times we are now living in have made us utterly aware of our interdependence, the state of being mutually reliant upon one another, as a form of symbiosis or mutualistic relationships to take into account. ![]() The main challenge of the new digital is to resist the transhuman capitalist dream of the digital as utopia, and to try and compose instead hybrid, bastard, problematic, metaestable and interdependent approaches to the digital media. HYBRID TIMES – INTERDEPENDENCE September 8 – 12, 2021 ![]()
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